Your recording opens in Studio already framed, padded, rounded and shadowed, with zooms and a smooth cursor in place. Everything else is a timeline you’ll recognise.
Layer lanes for images, footage and text, the programme in the middle and as many audio lanes as you need.
Titles, transitions, layouts and sounds shown as pictures. Drag one onto the timeline or the canvas, or click to add it at the playhead.
The editor and the exporter draw with the same renderer, so what you approve is what you get.
Twenty title designs with their own motion, seventeen transitions and seventeen split-screen arrangements. Drag anything in the preview to place it; it snaps to the middle and the thirds.
Every command is a few keys away, and the editor tells you what they are.
Drop in music and voiceover from a sound library with waveforms. Detach sound onto its own lane, then mute or solo lanes. Edit video you didn’t record too, including phone footage, the right way up.
Content first: see it, then drag it where it goes, or click to add it at the playhead.
Every design carries its own type, colour, plate, motion and placement, and keeps the words you’ve already typed.
Set on the clip after the cut. Use at every cut applies one everywhere, and tells you how much shorter the edit became.
Each pane takes a recording, the camera or any file. Panes have their own zoom and pan, and Swap with next exchanges two without disturbing the shapes.
Placed against the finished edit, so reordering clips leaves them where you put them.
Split screen › Explainer: a plain light stage beside or above you, framed on your face. Titles land at the top of the stage, cards below.
The library’s Cards tab: twenty-four cards in four groups, Interface, Social, Numbers and Graphics, that change step by step in your brand kit’s accent or lime. Hover one to watch it play.
Turn one recording into the launch video, the changelog clip and the teaser.
Saved projects make the third round of revisions as quick as the first.
£5.60 a month, cancel any time.